WHITE LIGHTNING CAST TV
Have you no pride in your state? In your family? In yourself? But saying that the cast of “White Lightning” is being used by the History Channel makes a negative assumption about people from Appalachia that I find almost as offensive as having my state represented by a TV show about feuding and moonshining. The only “history” the History Channel depicts with White Lightning, is the history of exploitation of Appalachian people for entertainment purposes.Īs with “Buckwild,” it’s easy as an Appalachian to be angry with the people who are on this show. While the show focuses on moonshine, it’s clear that the resource utilized here is a violent history. Person from outside region uses the labor and natural resources of Appalachia, acts as if it will bring lots of money to the region, resource gets consumed, outside interest leaves area, communities are left struggling in its wake.
The Hatfield-McCoy distillery scheme follows the same pattern of much of the other economic activity in our state that we attribute cultural significance to: Appalachia has a resource that someone outside of the region realizes can make a profit. Romanticizing the violence that occurred during the Hatfield and McCoy feud demonstrates the same shaky understanding of history that leads people to fly rebel flags for the sake of “Southern Heritage” and wear tee-shirts emblazoned with the slogan “Coal Mining: Our Future.” What matters is that this show is taking a piece of West Virginia’s history out of context. It doesn’t matter that the show is one of the most obviously scripted reality shows I’ve ever seen. Whoops! There was an error and we couldn't process your subscription. Like this story? Get the latest from the Daily Yonder directly in your inbox, twice each week. I’m sure all of the things depicted have happened at some point or another throughout West Virginia or Kentucky, but you’re more likely to see the Mothman in Sunday school than all of these stereotypes in the same place. Aside from the sassy matriarchs, hunting and a bonfire, little in the show rang true of any Appalachian experience I’ve ever been privy to. The appearance in a single episode of a turkey hunt, cursing matriarchs, donkeys and pigs in a house, moonshine recipes in the back of the family Bible, alcoholic cousins, a jug band and a hoedown made me wonder if the producers even spent any time in an Appalachia that was located outside a comic strip. The unnatural twang and ain’ts in the narrator’s accent was the first sign that something was deeply wrong. I’m embarrassed to say that I sat through an entire 21-minute episode. Photo by Jimmy Emerson A historical marker on KY Hwy 1056 in Buskirk, Kentucky, tells the story of the pawpaw tree incident in the Hatfield-McCoy fued. As the show’s producers would like you to believe, the chance to make moonshine legally has reignited the Hatfield-McCoy feud. The catch is, he wants both of their names on the label. Liquor executive thinks it would be cool to use the moonshine recipe from the original, feudin’ Hatfield and McCoy families. Louis wants to open a moonshine distillery. In case you’ve been spending your television viewing time in other ways, here’s a brief synopsis of this new show. “Hatfields & McCoys: White Lightning” is evidence of that. The History Channel obviously doesn’t either. But even as an adult who’s read countless books about West Virginia and Appalachia, I don’t fully understand the historical significance of the Hatfield and McCoy feud. The figures of “Devil” Anse Hatfield and Randolph McCoy paint a romantic picture of a West Virginia that is more “wild wild West” than “wild and wonderful.” The Hatfield-McCoy feud is a tale of two fighting families, a Romeo and Juliet-like love story, incredible violence and the lack of legal cooperation between two states in the aftermath of the Civil War.
I doubt that the Hatfield-McCoy feud filled more than a chapter in my eighth grade West Virginia history class, but it looms large in the mythos of West Virginia. Just in time to celebrate West Virginia’s sesquicentennial, the History Channel unleashed a new show about the descendants of the Hatfields and McCoys, two families living on the border of West Virginia and Kentucky. For those of you who were worried that reality television would completely neglect Appalachia since the cancelation of “Buckwild” due to the death of one of the cast members, worry no more. New Jersey had its moment, and between “Honey Boo Boo” and “Duck Dynasty,” the South is getting its time in the sun. ĭifferent regions of the country seem to take turns getting picked on by pop culture. The cast of the TV show “Hatfields & McCoys: White Lightning.” The “reality” show scripts a new reason for the mountain families to interact.
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